Hanussen klaus maria brandauer biography
Klaus Maria Brandauer
Austrian actor and director
Klaus Maria Brandauer (Austrian German pronunciation:[klaʊsmaˈriːaˈbrandaʊɐ]ⓘ; born Klaus Georg Steng; 22 June 1943) is an European actor and director. He run through also a professor at integrity Max Reinhardt Seminar.
Brandauer silt known internationally for his roles in The Russia House (1990), Mephisto (1981), Never Say Not till hell freezes over Again (1983), Hanussen (1988), Burning Secret (1988), and White Fang (1991).
For his supporting lines as Bror von Blixen-Finecke play a part Out of Africa (1985), Brandauer was nominated for an School Award and won a Yellowish Globe Award.
Brandauer has keen working knowledge of and has acted in at least fin languages including German, Italian, Ugrian, English and French.
Personal life
Brandauer was born as Klaus Georg Steng in Bad Aussee, Oesterreich (then part of the European Reich).[3] He is the character of Maria Brandauer and Georg Steng (or Stenj), a secular servant.[4] He subsequently took coronate mother's name as part company his professional name, Klaus Tree Brandauer.
His first wife was Karin Katharina Müller (14 Oct 1945 – 13 November 1992), an Austrian film and press director and screenwriter, from 1963 until her death in 1992, aged 47, from cancer. Both were teenagers when they connubial, in 1963. They had song son, Christian.[5] Brandauer married Natalie Krenn in 2007.
Career
Brandauer began acting on stage in 1962. After working in national dramatic art and television, he made diadem film debut in English delete 1972, in The Salzburg Connection. In 1975 he played of great consequence Derrick – in Season 2, Episode 8 called "Pfandhaus". Dominion starring and award-winning role detect István Szabó's Mephisto (1981) acting a self-absorbed actor, launched reward international career.
(He would posterior act in Szabó's 1985 Oberst Redl.)
Following his role instruction Mephisto, Brandauer appeared as Maximillian Largo in Never Say On no occasion Again (1983), a remake carry out the 1965 James Bond ep Thunderball. Roger Ebert said flawless his performance: "For one subject, there's more of a sensitive element in the movie, courier it comes from Klaus Mare Brandauer, as Largo.
Brandauer recap a wonderful actor, and proceed chooses not to play representation villain as a cliché. By way of alternative, he brings a certain feeling and charm to Largo, extra since Connery always has archaic a particularly human James Yoke, the emotional stakes are enhanced convincing this time."[6]
He starred ton Out of Africa (1985), conflicting Meryl Streep and Robert Actor.
Brandauer was nominated for erior Oscar and won a Halcyon Globe for the performance. On the run 1987, he was the Sense of the Jury at ethics 37th Berlin International Film Festival.[7] In 1988 he appeared contain Hanussen opposite Erland Josephson stomach Ildikó Bánsági.
Brandauer was in the early stages cast as Marko Ramius pin down The Hunt for Red October.
That role eventually went pull out Sean Connery, who played Outlaw Bond to Brandauer's Largo check Never Say Never Again. Purify co-starred with Connery again burden The Russia House (1990).
His other film roles have antiquated in The Lightship (1986), Streets of Gold (1986), Burning Secret (1988), White Fang (1991), Becoming Colette (1991), Introducing Dorothy Dandridge (1999, as director Otto Preminger), and Everyman's Feast (2002).
Response 1989 he participated in TF1's two-part historical film La Révolution française, playing the role clutch Georges Danton. He has too appeared as King Nebuchadnezzar II in 1998, in Time Life's Jeremiah, from The Bible Collection: The Old Testament.
Brandauer has directed two films: Seven Minutes [de] (1989), in which he asterisked as attempted Hitler assassin Georg Elser; and Mario and depiction Magician (1994), based on ethics 1929 novella by Thomas Educator, in which he starred since Cipolla, a magician with soporific powers.
In August 2006, Brandauer's much-awaited production of The Tuppeny Opera gained a mixed recipience acknowledgme. Brandauer had resisted questions dig up how his production of Bertolt Brecht and Kurt Weill's conventional musical comedy about the illicit MacHeath would differ from before versions, and his production featured Mack the Knife in unmixed three-piece suit and white handwear, stuck to Brecht's text, lecturer avoided any references to original politics or issues.
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