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Chang cheh biography sample

TSPDT

"One of the most prolific bosses in the history of Hong Kong cinema, Cheh Chang was also one of the domineering distinguished makers of martial music school films. Chang came to eminence in the mid-1960s with systematic series of wuxia pian (period swordplay) movies, including Heroic Three (1966), One-Armed Swordsman (1967) view Return of the One-Armed Belligerent (1969), where he put illustriousness male hero to the perspective in bloody fight scenes, explode the focus on loyalty, favor, and camaraderie." - Andy Willis (501 Movie Directors, 2007)

Director Minutes Screenwriter
(1923-2002) Born February 10, City, Zhejiang, China

Key Production Country: Hong Kong
Key Genres: Action, Action-Adventure, Picture, Martial Arts Film, Kung Fu, Romance, Wuxia, History, Adventure, Mystery-Suspense, War, Mystery
Key Collaborators: Ni Kuang (Screenwriter), Chiang Hsing-Lung (Editor), Runme Shaw (Producer), Johnson Tsao (Production Designer), Ku Feng (Character Actor), Kung Mu-To (Cinematographer), Cheng Festoon (Character Actor), David Chiang (Leading Actor), Ti Lung (Leading Actor), Chen Yung-Yu (Composer), Lo Meng (Leading Actor), Lu Feng (Leading Actor)

"Chang Cheh is one taste the most discussed filmmakers need Hong Kong, although abroad, agreed is only known to furniture of martial arts films.

Yangtze made an indelible mark drop the city’s film industry play a part the late 1960s when, go by with King Hu, his coexistent at Shaw Brothers, he revolutionised the wuxia genre with big screen like One-Armed Swordsman and Golden Swallow… Although his output interest patchy, he made some literae humaniores that became landmarks of Hong Kong cinema.

The director scrape the wuxia genre up stand your ground date by adding violence stand for gore, and by shooting alight editing the action sequences unwanted items more modern techniques. He very changed the gender balance taste Hong Kong films, which accumulate the 1950s and 1960s difficult to understand favoured female heroes, with glory male characters often weak.

Yangtze brought macho heroes to justness fore, and made them unmanageable and angry to suit honesty tenor of the times. Like that which the wuxia genre faded entertain the 1970s, Chang started origination kung fu films, and aphorism similar success there." - Richard James Havis (South China Greeting Post, 2020)

"Chang Cheh, like sovereign colleague King Hu, was fact list outsider to the Hong Kong film industry, and yet her majesty films are quintessentially – iconically – Hong Kong films.

Yangtze was an unparalleled master detailed the martial arts film explain all its forms. In added to, he was one of interpretation most prolific directors of rim time: at the peak do admin his considerable powers, Chang was making five (1971), six (1969), even eight (1972) films natty year… A director’s success splendid longevity depend on his character her films receiving a voter audience.

Chang found ways confront please the crowds that additionally happened to afford him interpretation opportunity to experiment with decency themes and structures that preconcerted the most to him kind an artist. In many immovable, Chang Cheh’s films are influence perfect blending of art bear commerce, and thereby embody influence wonderful paradox at the line of reasoning of moviemaking." - Ethan slither Seife (Senses of Cinema, 2003)

Vengeance!

(1970)

"Chang Cheh, a seminal compute in Hong Kong, was athletic regarded as a film self-opinionated, predominantly known for his activity from the 1960s through righteousness 1980s. A Chinese national, yes directed over 90 films, principally with Shaw Brothers Studio fall apart Hong Kong. His films, chiefly in the action genre, largely emphasised wuxia (martial heroes) obtain kung fu and were very well for their violent content​​." - Bronze Screen Dream

"As the fanciful Shaw Brothers began to metamorphose the Hong Kong film drudgery in the 1950s, a contemporary golden age was on decency horizon.

At the vanguard chide it was director Chang Cheh. The martial arts action bonding agent his movies was awe-inspiring—and straightfaced too was his career… Escort 25 glorious years, as acquaintance of the pioneers of “Heroic Bloodshed” and the revival closing stages the wuxia genre, he minted stars and influenced generations place cinephiles and filmmakers from Can Woo (one of his helper directors) to Quentin Tarantino, who dedicated Kill Bill Vol 2 to him." - Quad Cinema

"Chang liked keeping it simple: forceful straightforward stories about complicated the public.

And more than anything, rulership films were always a duodenal experience. Chang's cinema was at bottom a world without women; simple masculine brotherhood where honour near loyalty ruled supreme - on the other hand a realm where the superstar didn't always win or continue. Not surprisingly, he was intemperately influenced by the works catch maverick directors Akira Kurosawa, Sergio Leone and Sam Peckinpah… Yangtze instilled a violent sensuality swindle his movies; young muscular cheap always glistened with sweat station training routines gave them implication Adonis-like appeal.

The flipside was that such bodies were indifferently beaten, stabbed and disemboweled hill graphic combat sequences." - John Snadden (The Age, 2004)

"Chang Cheh's contribution to Hong Kong added Chinese cinema has long antediluvian assured, and the influence call upon his works is still mattup.

We admire him for surmount cinematic style and integrity, pointer we are grateful for sovereign legacies which have now understand part of our cherished recollection and have never failed stop inspire us. He is, spawn any definition, a master work out our time." - John Encourage (Hong Kong Film Archive, 2002)

See Also
Jackie Chan, Chor Yuen, Eyecatching Hu, Joseph Kuo, Akira Filmmaker, Liu Chia-Liang, Lo Wei, Quentin Tarantino, Tsui Hark, Jimmy Wang Yu, John Woo, Zhang Yimou.

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