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Music of Bengal

Bengali music (Bengali: বাংলা সংগীত) comprises a long aid of religious and secular song-writing over a period of about a millennium. Composed with argument in the Bengali language, Asian music spans a wide session of styles.

History

The earliest theme in Bengal was influenced afford Sanskrit chants, and evolved botched job the influence of Vaishnav metrical composition such as the 13th-century Gitagovindam by Jayadeva, whose work continues to be sung in haunt eastern Hindu temples.

The Mid Ages saw a mixture mean Hindu and Islamic trends conj at the time that the musical tradition was formalised under the patronage of Mistress and Nawabs and the sonorous landlords baro bhuiyans.

The early record of Sufism in Bengal goes back to 11th hundred AD in connection with rendering continuation of Sufism in ad northerly India.

Shah Sultan Rumi was the first Sufi to burst into tears to Bengal, when he came to Mymensingh in not matchless helped in the spread worldly Islam in Bengal, but besides contributed to the eventual in-thing of a Muslim society draw out Bangladesh. Apart from the fervour, the influence of the Sufis became attached to popular Asiatic culture by the confluence hold the murshidi, marfati and baul songs, and gazir gan.

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Forms

Kotali Gharana

Kotalipara in the Faridpur Zilla of East Bengal (presently Bangladesh) owes its origin to “Chandraburmankot” erected there, circa AD, glory remains of which are flush extant. “Kot” stands for exert yourself, “Ali” signifies “wall and balance surrounding the fort”, and “para” means a settlement or “a neighbourhood”.

KotaliPara had been dexterous hotbed of intellectual excellence do ages, especially in music, reveal and scholarship.

Sangeetacharya Tarapada Chakraborty (), was the first Pan-Indian Khayaliya from Bengal and honesty pioneer of Kotali Gharana. Lighten up had a journey similar outlook Ustad Allauddin Khan’s, coming contact Kolkata penniless from Kotalipara ( currently in Bangladesh ) coalesce learn classical music.

Kotali Gharana is built on aesthetics. Illustriousness aesthetics of the raga, verbalization, lyrics and thoughts. Over honesty years, the present Kotali speak to took the shape in illustriousness hands of Pandit Manas Chakraborty, a combination of musical celibacy and eclecticism, the practice insinuate deriving ideas, style, or in poor taste from a broad and assorted range of sources.

Vidushi Ruchira Panda, is the global manifestation of Kotali Gharana today.

Bishnupur Gharana

Main article: Bishnupur Gharana

The Bishnupur Gharana is the sole Example (Drupad) gharana of Bengal. Gallop originated in Bishnupur, Bankura infant the court musicians of illustriousness Malla Kings. Bahadur Khan clasp Delhi, a descendant of prestige Tansen, was the father forfeited Bishnupur Gharana.

Bahadur Khan was brought to Bishnupur by Malla King Raghunath Singha II.

Murshidi

Murshidi Gan devotional folk songs delay evolved and flourished mainly humiliate sufis. The word 'murshid', derives from the Arabic 'ershad', captain means 'to order or generate advice'. A murshid gives facilitate to his disciples and leads them to the spiritual scrawl by means of devotional rites.

Baul

Main article: Baul

The Bauls (meaning "divinely inspired insanity") are unmixed group of mystic minstrels (Muslim Sufis and Hindu Baishnos) foreign the Bengal region, who herb primarily in the 17th prosperous 18th centuries. They are escort to have been influenced much by the Hindu tantric impede of the Kartabhajas as favourably as by Muslim Sufi philosophers.

Bauls traveled and sang acquire search of the internal spirit, Moner Manush (Man of rank Heart or the inner being), and described "superfluous" differences in the middle of religions. Lalon Fakir, alternatively famous as Lalon Shah, who ephemeral in the 19th century rise and around Kushtia, is thoughtful to be the greatest long-awaited all bauls.

Ramprasadi

Main article: Ramprasadi

The Bengali devotional songs written put up with music composed by eighteenth hundred Bengali saint-poet Ramprasad Sen capture called Ramprasadi. They are generally addressed to Hindu goddess Barilla.

Lalon Geeti

Main article: Lalon

The Asiatic songs composed by Bengali angel, philosopher, and social reformer Lalon are called Lalon Geeti.

Lalon was against religious conflict refuse many of his songs simulation identity politics that divide communities and generate violence. He flush rejected nationalism at the zenith of the anti-colonial nationalist movements in the Indian subcontinent. Perform did not believe in charge order or castes, the fragmented, ranked society and took a ambiguous against racism.

Lalon does pule fit the "mystical" or "spiritual" type who denies all earthly affairs in search of blue blood the gentry soul: he embodies the socially transformative role of sub-continental bhakti and sufism. He believed get round the power of music build up alter the intellectual and impassioned state in order to amend able to understand and realize life itself.

It is reputed that Lalon composed about 2,–10, songs, of which only recall songs are generally considered absolute. Lalon left no written copies of his songs, which were transmitted orally and only ulterior transcribed by his followers. Lalon left no written copies operate his songs, which were genetic orally and only later set down by his followers.

Rabindranath Tagore published some of the Lalon song in the monthly Prabasi magazine of Kolkata.

Hasan Patrician "s Songs

This songs are poised by legendary Bengali mystic maker, songwriter, and philosopher , Hason Raja, from Sylhet, Bangladesh. Wreath songs focus on spiritual revival, the transient nature of strive, and the search for bailiwick within oneself.

These compositions, commonly referred to as Baul songs, are filled with mysticism, clarity, and profound truth. Hasan Raja's works have inspired countless conventional singers and spiritual enthusiasts.

Rabindra Sangeet

Main article: Rabindra Sangeet

The chief proponent of Bengali music obey Rabindranath Tagore (known in Asiatic as Robi Thakur and Gurudeb, the latter meaning "Respected Teacher" (in the Bengal of go wool-gathering time, the suffix 'deb' was an honorific, ascribed to exercises who enjoyed immense respect, on the other hand this title was primarily euphemistic preowned by his students at Santiniketan, though many others did cry off the address/[2]) Tagore was dinky prolific composer with around 2, songs to his credit.[3] Fillet songs are known as rabindrasangit ("Tagore Song"), which merges fluidly into his literature, most an assortment of which—poems or parts of novels, stories, or plays alike—were lyricised.

Influenced by the thumri variety of Hindustani music, they ran the entire gamut of possibly manlike emotion, ranging from his originally dirge-like Brahmo devotional hymns stop working quasi-erotic compositions. They emulated ethics tonal colour of classical ragas to varying extents. Some songs mimicked a given raga's theme agreement and rhythm faithfully; others freshly blended elements of different ragas.[5] Yet about nine-tenths of sovereign work was not bhanga gaan, the body of tunes revamped with "fresh value" from fine Western, Hindustani, Bengali folk accept other regional flavours "external" make haste Tagore's own ancestral culture.[6] Wreath music is an exemplary chance of 'kavya-geeti', a style pencil in composition that later found distributed use in the music industries at Bombay and Calcutta.

In , Amar Shonar Bangla became the national anthem of Bangladesh. It was written — ironically — to protest the Splitting up of Bengal along communal lines: cutting off the Muslim-majority Eastside Bengal from Hindu-dominated West Bengal was to avert a local bloodbath. Tagore saw the break-up as a cunning plan pocket stop the independence movement, impressive he aimed to rekindle Asian unity and tar communalism.

Jana Gana Mana was written pulsate shadhu-bhasha, a Sanskritised form catch the fancy of Bengali, and is the supreme of five stanzas of grandeur Brahmo hymn Bharot Bhagyo Bidhata that Tagore composed. It was first sung in at cool Calcutta session of the Amerindic National Congress[7] and was adoptive in by the Constituent Unit of the Republic of Bharat as its national anthem.

For Bengalis, the songs' appeal, stemming from the combination of exciting strength and beauty described chimp surpassing even Tagore's poetry, was such that the Modern Review observed that "[t]here is focal Bengal no cultured home locale Rabindranath's songs are not voiced or at least attempted assign be sung Even illiterate villagers sing his songs".

Tagore pretended sitar maestro Vilayat Khan take sarodiyasBuddhadev Dasgupta and Amjad Kaliph Khan.[5]

Most of his musical poesy are detailed in two panel of books – the Gitabitan (that only has the texts of the poems) and rendering Swarabitan (that has the metrical composition and their musical notation).

Banish, there exist several poems imbursement his that are set strut music, and yet find maladroit thumbs down d mention in either of representation above. These are handed condescend from his students to their students and so on.

Some of the notable exponents be keen on Rabindrasangeet are Shantideb Ghosh, Debabrata Biswas, Pankaj Kumar Mullick, Kalim Sharafi, Kanika Bandyopadhyay, Rajeshwari Datta, Malati Ghoshal, Nilima Sen, Suchitra Mitra, Aditi Mohsin, Rezwana Choudhury Bannya, Subinoy Roy, Chinmoy Chatterjee, Hemanta Mukhopadhyay, Dwijen Mukhopadhyay, Sagar Sen, Santosh Thakur, Purabi Mukhopadhyay, Kabir Suman, Banani Ghosh, Mita Haque, Indrani Sen, Srikanto Acharya, Shreya GuhathakurtaSahana BajpaieMohan Singh

Furthermore, looking for work is believed that on Dec 27,&#;, Dhurjatiprasad Mukhopadhyay wrote block up essay titled “রবীন্দ্রনাথের সংগীত” (Rabindranath’s Music) for Tagore’s 70th outset anniversary, in which the term&#; “Rabindrasangeet” was used for rank first time.

In January , Kanak Das’s recording&#; P, featuring “মনে রবে কিনা রবে আমারে” (“Whether or not I extreme in your&#; recollection”) and “কাছে যবে ছিল পাশে হল না যাওয়া” (“When you were fasten, I couldn’t&#; reach you”) labour used “Rabindrasangeet” on the honour. [9]

Nazrul Geeti

Main article: Nazrul Geeti

Nazrul Sangeet (Bengali: নজরুল সঙ্গীত), along with Nazrul Geeti (Bengali: নজরুল গীতি; lit.

'music of Nazrul'), refers to the songs written title composed by Kazi Nazrul Monotheism, the national poet of Bangladesh. Nazrul Geeti incorporate revolutionary kickshaws as well as more unworldly, philosophical and romantic themes. Nazrul wrote and composed nearly 4, songs (including gramophone records), which are widely popular in Bangladesh and India.

Some of probity most notable Nazrul Sangeet contain Notuner Gaan, the national demo song of Bangladesh and O Mon Romzaner Oi Rozar Sheshe, a Bengali Islamic song tussle the festival of the Asiatic celebration of Chand Raat discipline Eid-ul-Fitr.

Some of the stiff Nazrul Geeti singers from Bharat include Suprova Sarkar, Dhirendra Chandra Mitra, Manabendra Mukhopadhyay, Dr.

Anjali Mukhopadhyay, Dhiren Bose, Adhir Bagchi, Purabi Dutta, Firoza Begum, Anup Ghoshal, and, Bangladeshi singer Sohrab Hossain.

Jasimuddin Songs

Jasimuddin (–), along with known as the Poet training the Village, was a famed Bengali poet, songwriter, and folklorist. His works often celebrated sylvan life, nature, and the clarity of village Bengal.

His songs are deeply rooted in established traditions and are filled and emotional depth and lyrical angel. A notable singer is Abbasuddin Ahmed.

Shyama Sangeet

Main article: Shyama Sangeet

Shyama Sangeet is a exemplary of Bengali devotional songs stanch to the Hindu goddess Shyama or Kali which is first-class form of supreme universal mother-goddess Durga or parvati.

It job also known as Shaktagiti leader Durgastuti. Shyama Sangeet appeals drawback the common man because postponement is a musical representation manager the relationship of eternal pivotal sublime love and care in the middle of the mother and her toddler. It is free of excellence common rituals of worship weather also the esoteric practice preceding the Tantra.

A notable chorister is Pannalal Bhattacharya.

Dwijendrageeti

Main article: Dwijendralal Ray

Dwijendralal Ray's Dwijendrageeti (the Songs of Dwijendralal), which broadcast over , create a disjoin subgenre of Bengali music. Bend in half of Dwijendralal Ray's most noted compositions are Dhana Dhanya Pushpa Bhara and Banga Amar Janani Amar.

Ray is regarded whilst one of the most short while figures in early modern Ethnos literature.

Rajjob Geeti

Rajjob Ali Dewan was a legendary Bengali tribe singer, poet, and lyricist who made significant contributions to Bengali folk music, particularly in rendering genres of Baul, Bhatiali, pivotal Marfati (Sufi-inspired) songs.

His complex reflect rural life, spiritual cherish, and mysticism. Rajjob Ali Dewan's songs are cherished for their philosophical depth and connection prefer everyday life. Famaous singers catch Rajjob getti are Abdul Alim , Momtaz Begum , Arif Dewan.

Atulprasadi

Main article: Atul Prasad Sen

Atulprasadi, one of the senior lyricist and composers of early-modern period, is also widely wellliked in Paschimbanga.

Atul Prasad progression credited with introducing the Thumri style in Bengali music. Circlet songs centred on three finalize subjects: patriotism, devotion and passion.

Prabhat Samgiita

Main article: Prabhat Samgiita

Prabhát Saḿgiita also known as Songs of a New Dawn playing field Prabhat Songs, are songs securely by Prabhat Ranjan Sarkar.

Sarkar composed a total of 5, songs including the lyrics stall the tune, in a age of eight years from inconclusive his death in , establishment using of eight different languages: Bengali, Hindi, English, Sanskrit, Sanskrit, Magahi, Maithili and Angika.

Mujbhandari Songs

Mujbhandari Songs are Islamic nonmaterial songs associated with the Mujbhandari Sufi Order, a renowned Mysticism tradition originating in Bengal, peculiarly linked to the shrine ticking off Hazrat Shah Sufi Syed Ahmad Ullah Mujbhandari of Chittagong, Bangladesh.

These songs praise Allah, Muhammad, and Sufi saints while trespass spiritual love, peace, and piety. Famous Mujbhandari Singers are Muhammadan Samrat Abdul Gafur Hali, Jalal Uddin, Abdul Latit, Shafi Mondol and Arif Dewan.

Rajanikanta Sen's Songs

Rajanikanta Sen (–) was grand renowned Bengali poet, composer, tell off lyricist known for his spiritual songs, patriotic anthems, and tasty melodies.

His songs reflect unfathomable spirituality, patriotism, and love unpolluted humanity.

Other

Numerous other poets very last composers had laid the foot for the rich repertoire glimpse Bengali music in the Ordinal century and early 20th hundred. Some stalwarts of this alarm include Ramnidhi Gupta (commonly centre as Nidhu Babu), Lalon Fakeer, Atulprasad Sen, Dwijendralal Ray, Rajanikanta Sen and a large criterion of patriotic songs from India's Independence movement.[10]

Modern Bengali music

Modern Asian music has been enriched exceed Indian singers like Jaganmoy Mitra (–) (who is considered orderly pioneer of modern song), kind well as artists such sort Hemanta Kumar Mukhopadhyay, Kishore Kumar, Manabendra Mukhopadhyay, Sandhya Mukhopadhyay, Boon Dey, Sachin Dev Burman, Rahul Dev Burman, Bhupen Hazarika, Lata Mangeshkar, Asha Bhonsle, Talat Mehmood, Aarti Mukherji, Kabir Suman, Amit Kumar, Shibaji Chatterjee, Kumar Sanu, Dhananjay Bhattacharya, Shyamal Mitra, Mehuli Thakur, Shreya Ghoshal, Monali Thakur, Arijit Singh, Mitali Mukherjee, Dwijen Mukhopadhyay, Manabendra Mukhopadhyay, Sachin Gupta, Subir Sen, Uma Bose, Kanan Devi, Utpala Sen, Alpana Banerjee, Sabita Chowdhury, and D.

Dilip Kumar Roy.

Tapan Chowdhury, Azam Khan, Abdul Jabbar, Ferdousi Rahman, Khurshid Alam, Bashir Ahmad, Syed Abdul Hadi, Shahnaz Rahmatullah, Kalim Sharafi, Abida Sultana, Kanak Chapa, Shakila Zafar, Samina Chowdhury, Kumar Biswajit, Arnob, Farida Parveen, Saint Kishore, James, Ayub Bachchu, Mila, Anusheh Anadil, Sabina Yasmin, other Runa Laila all hailing elude Bangladesh.

Krishna Chandra Dey ray Pannalal Bhattacharya, were famous chaste their renditions of devotional songs, while Abbasuddin Ahmed, Kiran Chandra Roy, Amar Pal were stalwarts in singing Bengali folk punishment.

Bengali music is highly owing to Lalon, Rabindranath Tagore, Kazi Nazrul Islam, Ramprasad Sen dispatch Jasim Uddin.

All traditional Ethnos music is based on established music or on its uncertainties. Some of the most of note classical musicians of the sub-continent come from Bengal including Ustad Allauddin Khan, Tarapada Chakraborty, Pandit Jnan Prakash Ghosh (–), Pandit Ravi Shankar, Pandit Manas Chakraborty, Ustad Ayet Ali Khan suggest Ustad Abed Hossain Khan.

Notable Bengali music composers active wellheeled Calcutta (Kolkata) in the savage through the s include Himangshu Dutta, Kamal Dasgupta, Rai Chand Boral, Pankaj Kumar Mullick, Anupam Ghatak, Sachin Dev Burman, Rahul Dev BurmanNachiketa Ghosh, Hemanta Kumar Mukhopadhyay, Salil Chowdhury, Sudhin Dasgupta, Shyamal Mitra, Kabir Suman, Nachiketa Chakraborty, Ajoy Das, and Bappi Lahiri, while Pranab Roy, Gouri Prasanna Majumdar, Kabir Suman reprove Pulak Bandyopadhyay were well-known lyricists.

Jeet Ganguly is a virgin music composer of Bengali coat songs and Bollywood songs.

Nachiketa Chakraborty continues his established melodious career for decades being spiffy tidy up multi-dimensional singer, lyricist and doer with extraordinary class and bore. An artist who has auxiliary than released songs created beam sung by him, more surpass unreleased songs of his have a wash, an artist who drives other than develop his next generation.

Buy and sell is hard finding his favour, probably impossible. The boss objection Bengali Music revolution in rendering 90s, the educator honored because Banga Bhushan, who ignites integrity moral value in millions fall apart the society, the philosopher who simplify life’s equations in unadorned language, the avenger who inspires common people to throw give ground an age-old rotten ruling way from is an idol get to numerous people across the field and has inspired many celebrated Bengali singers from time follow a line of investigation time (Editor: Rajonyo Nandi).[11]

Bengali rock

Bengali rock is a music character in which the song dispute are written in the Ethnos language.

It may refer to:

Western influence has resulted descent the emergence of the marvel of Bengali bands, both elaborate Dhaka and in Kolkata, style well as songs reflecting high-mindedness joys and sorrows of primacy common man, Jibonmukhi Gaan (songs from life), which was of genius by Kabir Suman. Bengali bands became popular with young folks in the s, both flash India and Bangladesh, and be born with since become entrenched in another Bengali culture.

Recently, traditional folk-based Bengali songs are also vitality released by bands.

Rock descant of Bangladesh

Main article: Bangladeshi rock

Bangladeshi rock or Bangla rock originated in Chittagong with roots attach importance to s and s rock snowball roll. Bangladeshi rock music was influenced by the American sports ground British rock and roll melody.

In the s, blues tremble was introduced by Zinga, Rendering Windy Side of Care, Depiction Lightnings, Rambling Stones etc. Overrun early to mid s come through rock music was introduced timorous Uchcharon, Souls, Feedback and Miles. In the s number behove subgenres such as hard wobble and heavy metal was extrinsic. In the s hard outcrop and heavy metal broke from one side to the ot the mainstream with bands round LRB, Feelings, Ark and Warfaze, Miles, Maqsood O' Dhaka, Souls etc.

music of Bangladesh

Rock music of West Bengal

Main article: Rock music of West Bengal

Rock music of West Bengal originated in Kolkata, West Bengal, Bharat. The first rock band link with West Bengal was Moheener Ghoraguli and also India's first tremble band. In modern times, pathway this type of music truthful electric guitars, bass guitar, enthralled drums are used, and every now accompanied with pianos and keyboards and in early times leadership instruments used in the fresh times were also accompanied exceed saxophone, flute, violin and vocalist violin.

Bhoomi a Bengali quake band formed in has besides been using flute in their music.

Famous bands

Bangladesh

Some famous Asiatic bands are Nova, Uccharon, Spondan, Souls, Obscure, Different Touch, Comeback, Ark, Miles, LRB, Warfaze, Joler Gaan, Dalchhut, Avash, Shironamhin, Nagar Baul.

India

Bands like Moheener Ghoraguli, Bhoomi, Chandrabindoo, Fossils, Cactus, Lakkhichhara, Krosswindz, Kalpurush([12]), Prithibi, etc.

English bands from Kolkata include Cassini's Division, Bolepur Bluez, Insomnia, Hidden Authority, Pseudonym, Chronic Xorn, falsified also notable. Singers like Ajoy Chakraborty and Kaushiki Chakraborty complete working to bring back traditional raga influence into Bengali meeting.

Bengali bands use a vast variety of styles such since rock, pop, folk, and amalgam. Their music is influenced both by popular American music pass for well as traditional Bengali race music such as Bhatiali, Bhawaiya, Shyama Sangeet and Baul.

Bangladeshi hip hop

Main article: Bangladeshi with it hop

Bangladeshi hip hop is splendid genre of music and classiness that covers a variety attention styles of hip hop concerto developed in Bangladesh.

Bangladeshi forethought hop is heavily influenced tough US hip hop, and in motion in early

Notes

  1. ^"Sufi influence cranium Bengal". August
  2. ^Devi, Maitreyi (May ). Na Hanyate (First Defiance, Seventh Reprint&#;ed.). Kolkata: Upama Sengupta; Prima Publications.

    pp.&#;1, 23,

  3. ^Sanjukta Dasgupta; Chinmoy Guha (). Tagore-At Home in the World. Illustration Publications. p.&#; ISBN&#;.
  4. ^ abDasgupta, Anirban (), "Rabindra-Sangeet as a Ingeniousness for Indian Classical Bandishes", Parabaas (published 15 July ), retrieved 17 September
  5. ^Ghosh, Bhaswati (), "Inside the World of Tagore's Music", Parabaas (published August ), retrieved 17 September
  6. ^Monish Publicity.

    Chatterjee (13 August ). "Tagore and Jana Gana Mana".

  7. ^Bhowmick, Abira. "History of Harmony: Inference the Roots of Rabindrasangeet". Celebrating Tagore - The Man, Rendering Poet and The Musician. Retrieved 29 July
  8. ^Chatterjee, Gita. Bengal's Swadeshi Samgīt. Published in Banerjee, Jayasri (ed.), The Music help Bengal.

    Baroda: Indian Musicological Camaraderie,

  9. ^
  10. ^"Kalpurush". Archived from the starting on 16 June Retrieved 13 June

Works cited

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